Kai Naima Williams is a multidisciplinary writer and performing artist based in Harlem, New York. She is the author of two poetry chapbooks He Tried To Drown The Ocean, I Waved (Hyacinth Girl Press, 2018) and Tomorrow Maps (The Hunger Press, 2023) and the children’s picture book The Bridges Yuri Built: How Yuri Kochiyama Marched Across Movements (Kaepernick Publishing, 2024). She is a co-founder of Eat At The Table Theatre Company.
Her work has been featured in MASK Magazine, DRØME Magazine, Louisiana Literature, Stirring Lit, Abolition Is, CRWN Magazine, Literary Manhattan and the upcoming anthology Black and Asian Feminist Solidarities (Haymarket Press, 2025). She has performed in showcases for Sakhi For South Asian Women, Planned Parenthood, Densho and as part of the Freshman Class at Bowery Poetry Club. She has written and directed plays for Eat At The Table Theatre Company and Good Evening Repertory. She has participated in speaking engagements organized by the Smithsonian Museum Asian Pacific Islander Center, the USC Pacific Asia Museum, Chinese American Museum and the Japanese American National Museum.
She is a 2023 Bandung Resident (MoCADA / Asian American Arts Alliance), 2019 Recipient of the Monroe Prize for Excellence in African American Studies, 2018 Recipient of the Tennessee Williams & New Orleans Literary Festival Grand Prize in Fiction and a 2017 Honorable Mention for the New York Times’ Modern Love Essay Contest.
Publications
The Bridges Yuri Built: How Yuri Kochiyama Marched Across Movements, Kaepernick Publishing
2024
Tomorrow Maps, The Hunger Press
2023
“Radical Imagination,” Abolition Is
2021
“Fall Style Guide for the Young Witch” & “Essay on Suviving In A Cold, Cold World,” Stirring: A Literary Collection
2020
“From The President of the Jordyn Woods Fan Club,” CRWN Magazine Blog
2020
“My Coven Came to Scrap,” Louisiana Literature
2018
He Tried To Drown The Ocean, I Waved, Hyacinth Girl Press
2018
“How Jasmine Spent Her Summer,” Literary Manhattan
2018
“Legacy Kid,” Mask Magazine
2016
Honors
Bandung Residency, Asian American Arts Alliance & Museum of Contemporary African Diasporic Arts
2023
2019
Monroe Prize, Wesleyan Center for African American Studies
Grand Prize in Fiction, Tennessee Williams & New Orleans Literary Festival
2018
Honorable Mention, New York Times Modern Love Essay Contest
2017
Speaking Engagements, Performances, Recordings
Panelist, Bandung Learnings, hosted by Asian American Arts Alliance & the Museum of Contemporary African Diasporic Arts
2024
Performer, Archive As Memorial Exhibition Closing, sponsored by A/P/A Voices Public Memory Project
2023
Playwright & Director, “Real Fake!” staged with Good Evening Repertory
2022
Speaker, Abolition Is Virtual Gala
2021
Panelist, Stronger Together: Black Liberation and Asian Solidarity, hosted by The USC Pacific Asia Museum, Chinese American Museum, Japanese American National Museum
2020
Panelist, Story Circle: The Art of Movement and Coalition Building, hosted by the Smithsonian Museum Asian Pacific Islander Center
Performer, Densho Dinner at Home
2020
2020
Poetry Video, “Fall Style Guide For The Young Witch,” directed by Simon Morrison
2020
Director, “GOLD IF SHE NEEDS IT,” produced by Eat At The Table Theatre Company
2018
Performer, Freshman Class at Bowery Poetry
2017